Hackett Jacket and Steve McQueen

When viewing the Hackett AW18 collection some weeks ago I was struck by this check jacket, I felt I'd seen it before - and I had - see the image below. A remarkable, and as far as I know unintentional, similarity in design and colour. 

The jacket will be released over the coming weeks as Hackett's Autumn/Winter collection is released. Buy one for that King of Cool look. Keep an eye out here: Hackett.

This post is unsponsored. 

Books: ICON: History of the Series Land Rover & Defender

As the proud owner of a newly restored 1967 Series 2a Land Rover (image below) I'm always on the look out for books that inform and allow me to indulge my motor passion. ICON: The Official History of the Series Land Rover and Defender is not only an informative and well illustrated book, it's also beautifully designed.

Released last year to celebrate the last Defender rolling off the assembly line and this year's 70th anniversary of the marque, it's published by Land Rover as a proud homage to these iconic and very British cars. This coffee table sized book covers ten chapters and over 200 pages and can be bought from Land Rover here.

My 1967 Series 2a Land Rover Station Wagon

Hotter Shoes: Cooler Shoes?

Hotter Shoes manufacture here in England and thereby justifiably deserve our attention. Earlier this year I travelled to their factory to see the shoes being made and their autumn/winter collection. Set up in 1959, Hotter made over 2.2 million pairs of shoes last year which puts them in the league of major British manufacturers, providing employment and skills in and around their Lancashire base.

Wearing Hotter Garner boots from AW18

As shown in my images below, the shoe manufacturing process is technologically advanced, with a pair being made every 20 seconds. The shoe uppers are steamed to help them as they're eased onto lasts. A robot 'roughing machine' then scores a computer-controlled line around the upper to prepare it for the application of the soles. This process happens on a circular machine which injects polyurethane into moulds to add the soles to the uppers. The shoes are then trimmed, finished and checked before being packed for despatch.

The green lasts onto which the uppers are attached before the soles

Focusing on comfort rather than style is never going to endear a brand to the sartorialists and style aficionados. However, I'm getting to the age when I welcome a blend of style and comfort. I've been wearing a selection of their shoes and comfortable they certainly are. Many of them are also stylish, but not being branded with expensive logos and fashion names are not going to grab the attention of the slaves to fashion. I've been wearing a pair of black Garner boots which, with their square toe and comfortable uppers, add a touch of style to a formal or casual look. I also wear a pair of their walking shoes for walking my dog Harry (no longer made, but similar can be found here and which are water resistant and comfortable).

I suggest you inspect their range for yourself: don't listen to the fashionistas and make up your own mind as stylish and comfortable shoes are certainly to be found at Hotter.

I was a guest at the Hotter factory and have been sent a couple of pairs of shoes to review.

British Boxers Underwear, Sleepwear and a Massive Discount for Readers!

It's been too long since I first reported on what was then a new and small British underwear business, British Boxers. It has now, through sheer hard work by founder Deborah Price, become a successful British business. Making boxer shorts, stretch trunks (of which I'm a great fan) and sleepwear (there are products for both men and women - I wear the stripy pyjamas) here in the UK and in Europe, it now supplies Harrods, many independent stores and exports abroad.

See below for the generous discount offered to Grey Fox Blog readers.

Needless to say, the products are beautifully made and much thought has obviously gone into their design.

Deborah Price brought me up to date:

"We make the traditional boxer shorts, socks and polo shirts in the UK. All the packaging is made here too, Our labels and trims are made here including our waistband on the trunks. We do whatever we can here whilst maintaining quality and production capacity.

Everything else is made in small production runs in Europe and I'm really proud to shout about that now too. We don't manufacture in the Far East and everyone who makes our stuff is highly skilled and well paid. It's really important. We'll build up British production gradually and slowly but it takes time, investment and education. What I'm really passionate about is building a viable ethical business which creates British jobs".

I'm grateful to British Boxers for offering a generous discount to blog readers. Use the code GREYFOX25 to get 25% off at british-boxers.com

This feature is unsponsored. I was sent some shorts for review.

Araminta Campbell: Bespoke Tweeds

On my recent visit to Edinburgh I spent some time at Araminta Campbell's studio where she designs tweeds and other fabrics and weaves bespoke articles from luxury yarns. This young entrepreneur has already built up a following of estates requiring tweeds to be designed or revived and of clients wanting interiors fabrics and quality hand woven accessories.

Araminta designs limited edition accessories which are handwoven on two beautiful looms in her Leith studio. This, her Signature range, are works of art in themselves and are made from undyed British alpaca fleece (there are some 345,000 alpacas in the UK). Each takes several days to weave on one of the 60 year old dobby looms (see top image above) and the complex patterns are inspired, like much of Araminta's work, by the patterns of nature. In another range, Minta, she uses alpaca for interiors fabrics.

The above three images show the alpaca designs and the weaving process (images Grey Fox)

I was particularly interested in her Heritage tweed design service. Many Scottish estates have used bespoke tweed designs since the nineteenth century. Worn on the estate, they provide protection against the weather when working outside, whether farming, stalking or shooting. The colours reflect the landscape, giving camouflage as they blend with the rocks, trees and heather. 

In her Heritage service, Araminta has found a successful niche designing tweeds for individuals, estates and businesses. She told me, "Many of my clients have a landscape that is special to them, or a piece of family history they wish to commemorate. I love the challenge of capturing this in cloth – through the textures, shapes and colours – and creating a tweed with a story that really means something to them." 

She uses small Scottish mills for the weaving, working directly with yarn suppliers and finishers to ensure that colours are exactly right and that there is a high standard of quality in production and design. Such smaller mills are also flexible about minimums, so clients requiring smaller amounts of cloth can still have it made without having to pay the high costs incurred where mills require high minimum orders. This opens up exciting possibilities to those who wish to commission a bespoke cloth for family use, as a gift or for a small business.

Araminta has designed a few estate-type tweeds which are available to all (see above image). I'm the lucky owner of a few metres of the houndstooth tweed in the above image and will be having a coat made from that by tailor, Alice Burkitt. I'll report back on this here and on Instagram. The design is inspired by the colours of the River Tweed and is a gorgeous robust cloth which will make a perfect outdoor coat.

For more information about Araminta Campbell, see her website here.

Photo credits (unless otherwise stated above): Ciara Menzies Photography.

This feature is unsponsored. My visit to Edinburgh was a collaboration with several brands.

Loake 1880 Legacy Range: Comfort and Style

I own and wear several pairs of Loake shoes and they always seem popular with readers of this blog. The company has now launched a new range, Loake 1880 Legacy, which is designed to celebrate Loake's legacy as English shoemakers since three brothers; John, Thomas and William Loake, opened the first Loake factory in 1880.

Derwent black calf derbies from Loake Legacy range (details of outfit below)
[Image Nyetimber]

Combining traditional shoemaking techniques with high quality materials, the range is made in Kettering and contains a number of classic derbies, oxfords, brogues, penny loafers, monk straps and Chelsea and chukka boots. They are Goodyear welted and made on a last engineered to provide increased instep support so that they can be worn all day. Vegetable tanned linings add to the comfort and they come with leather and rubber soles. Elegant and comfortable, they can be found in leather and suede in a variety of colours.

I mention my new shoes on Instagram

I've been wearing a pair of Derwent black calf derby with a brogued toecap. Elegantly shaped, they were immediately comfortable and are ideal for semi-formal or casual use, coming also in burnished conker. Priced at £240 to £270, they are available now at Loake shops and stockists. 

To celebrate the launch of their Loake 1880 Legacy Collection, customers purchasing a pair of shoes or boots from the Legacy range either in store or from the online shop this weekend will also receive an exclusive Golden Ticket! This will reveal a complimentary gift from the Loake range up to the value of £245, to be redeemed in store or by contacting Loake direct at their factory in Northamptonshire. Valid at participating retail outlets only. Please visit www.loake.co.uk/legacy to find out more. 

Details of my outfit above (image taken at the launch of Nyetimber 1086 prestige cuvee English made sparkling wine):
Velvet jacket: Favourbrook
Pocket square: Geoff Stocker
Trousers: Susannah Hall Tailor

This post is a collaboration with Loake.

Ettinger Capra Goat Leather Collection

Ettinger has launched Capra, its first goat leather collection for many decades. In the company's earlier days goatskin, known for its suppleness and durability, was used for various products which are still to be found in the Ettinger archive. The colour range was then limited, but now the Capra Collection comes in chocolate, black, marine blue and white. 

As mentioned in my previous blog feature here, I was in Florence earlier this year to help launch the Capra Collection and the photo above was taken of me with a chocolate Capra portfolio. I've also been using a white Capra card case since that time and found the goat leather to be durable and with a lovely texture to it. The white gives the product a nicely heritage feel, reminiscent of the thirties and forties. All are, of course, very well made at Ettinger's factory in Walsall in the English Midlands (see my previous feature, link above).

Available in a range of accessories, from the folio through wallets and purses to key rings, the Capra Collection can be found at various stockists or online at Ettinger here. 

This feature is part of a collaboration with Ettinger whose guest I was at Pitti Uomo. I was not paid for this piece.

New & Lingwood AW18

I've worn a lot of New & Lingwood over the last few months. I love their classic styles, spiced with daring touches for the bold and successfully fusing the best of English and Italian tailoring. 

Their newly launched collection for autumn and winter continues the theme of the classically well-dressed gentleman. I have a very clear picture in my head of how the well-dressed gentleman looks. His clothes reflect his personality. They fit with a lived-in perfection that exudes comfort and sophistication. They certainly don’t have the featureless crispness of the sold-by-the-yard high street suit. Their character will show through in soft creases, moulding with perfect fit to the body, following the human form without dictating its shape or style. 

Think of how men dressed in the fifties - as portrayed in films like The Crown and Phantom Thread, both of which inspired this collection. Men looked totally comfortable in their clothes. True, they wore suits or jackets and formal trousers most of the time so they became second nature. 

Nowadays the well-dressed gentleman is helped to feel at ease in even formal clothing by high quality materials and construction methods. A favourite New & Lingwood suit of mine fits me with a casual effortlessness so that I'm fully at home in it. If you feel at ease with your clothes you are well on the road to looking every inch the well-dressed gentleman.

The classic feel to this collection comes from reinterpreting favourites like tweed, pleated trousers, Norfolk jackets, luxury knitwear and silk dressing gowns. High quality materials, cashmere, merino wool, camelhair and baby llama coats, add to the traditional yet very contemporary look. Fine details add to the timelessness - high quality linings, buttons, decorative flourishes.

Everything has, of course, a very English feel to it. This is inevitable for any collection carrying the theme of the well-dressed gentleman. Sartorially-minded men all over the world look to English tastes for inspiration.

As ever, New & Lingwood offer a choice of styles with the new collection. If you want to be bold and British, go for the the tartan suit or the bold overcheck (both pictured above). For more serene moments, wear the quieter pinstripes or tweeds - or you can mix and match with a bold pair of velvet trousers accompanying a traditional check jacket or a monochrome cashmere coat. All can be worn with a wide choice of shirts, gorgeous silk ties and soft knitwear. Colours vary from conventional blues, fawns and greys to bolder reds and brighter shades of green and yellow. Brighten a calmer look with a dash of colour in knitwear or trousers. No longer does a man have an excuse to dress with drab dullness.

Once again New & Lingwood have produced a collection that caters for the well-dressed gentleman who knows himself and wants to dress accordingly.

This feature is a collaboration with New & Lingwood. 

Johnstons of Elgin Spring/Summer '19

I wasn't able to get to Johnstons of Elgin's SS19 Collection show at London Fashion Week recently. They showed some menswear among the women's collection. With designer Alan Scott they are showing how very light cashmere can be used for warm weather wear. Tissue weight cashmere and mesh construction and very fine cotton are created by Johnstons in Scotland. Sporty, colourful and beautifully constructed, they continue to produce the highest quality clothing using the latest techniques. 

I love what they're doing, but feel rather saddened that they are marketing to the younger man. Given the very classic and luxury feel to their collection they are missing out on the older, more sophisticated market. A year or two ago I saw their new and exciting designer approach as a possible British Brunello Cucinelli, whose clothes are so wearable by all ages. Johnstons seem to be taking a different direction now, but they're a British brand that I can't help but love and it's good to see them doing so well and with such confidence.  Johnstons of Elgin.

This is an unsponsored post.

Kestin Hare: Scottish Menswear Designer

I'm just back from a long weekend in Edinburgh at the invitation of several brands and I'll be writing about some of them here on the blog over the coming days. My first feature is about menswear brand, Kestin Hare who I first came across some 4 years ago as he launched his own brand after a long career in menswear, including as Head of Design for Nigel Cabourn. 

Kestin Hare's Edinburgh store (image Kestin Hare - all other images Grey Fox)

Like Cabourn, Hare is a supporter of British manufacture. His clothes have a strong classic influence, but also draw on modern Japanese and European designs. When I visited recently they had just visited an archive of mountaineering clothes and equipment for inspiration, so the sources of their designs are wide-ranging. 

I saw Kestin Hare's Edinburgh store during my recent trip to that beautiful city. Located dockside in Leith in the old Cruiser Store in Custom Lane (see top image above), this is one of two shops, the other being in Shoreditch, London. There's also a strong online presence (link below). 

Trying on Kestin Hare coats and knitwear (trousers Susannah Hall and shoes Loake)

I tried on some of the clothes, like what I saw and will be wearing more. I often find that, once I've tried them on, I like clothes that I'm not immediately drawn to on the peg. The lesson is to experiment, whether or not you're feeling adventurous. 

I loved the corduroy store coat (image above) and British-made knitwear and coats based on Marton Mills wool and Brisbane Moss corduroy (both British manufacturers). These and garments made from thornproof cloth, Borg fleece and reversed Fair Isle knits in comfortable fits come in natural outdoor tones, reflecting the Highland bothy theme of the autumn/winter collection.

I've made it a mission to explore casual styles to move away from a very tailored look and Kestin Hare has provided inspiration with this - look out for more on my Instagram account.

You can find Kestin Hare's designs, many British-made, at Kestin Hare.

Chester Barrie Autumn/Winter 2018

Chester Barrie have over the years produced real sartorial gems and their AW18 collection, created under the direction of Simon Kirby, is no exception. While at first sight very classic in appearance, there are little twists that add interest without causing too much concern to those gentlemen who prefer their style to be low key but high quality - subtlety is the word.

Blues, greys and burgundy prevail and the addition of roll neck knitwear and a chambray shirt add very contemporary touches to the crisply classic collection. A mixture of Italian and British cloths give a quality feel to the well-tailored shapes. 

Altogether this is a versatile and stylish collection that will be beautifully made and carefully styled to work together to give an understated and elegant appearance. A collection of accessories, ties, umbrellas and brief cases, adds to the overall British look. See Chester Barrie.

For those who, like me, like to know these things, The Chester Barrie photoshoot was at The Ardkinglas Estate, Loch Fyne, Scotland.

This feature is unsponsored.